BANK | 谢其个展开幕回顾 Xie Qi Solo Show Opening Review
上周五夜晚，BANK 俱乐部首度开张 。夜幕降临，红灯亮起。谢其个展，BANK 空间被营造成一个有暧昧氛围灯光的场域，人群鱼贯游览其间，如画中人物，在夜晚我们褪去日间职责。音乐人宋雨喆与自由爵士乐手李铁桥带来了情感张力极强的开幕演出，后唱《断歌集》中的曲目……
Last Friday night, the BANK Club opened for the first time. As the night came, the red light turned on - BANK has been transformed into a psychedelic basement that complements the artist’s works. The crowds filed around, like the figures in the painting, as if on a stage separated from their mundane identity as vessels for emotional expression. The musician Song Yuzhe and jazz musician Li Tieqiao gave an opening performance, from the album ‘ Collection of Short Broken Songs ’.
/ 开幕回顾 Opening Review /
右：艺术家谢其
Right: Artist Xie Qi
艺术家郑皓中与Taki
Artist Zheng Haozhong and Taki
艺术家:谢其
Artist: Xie Qi
艺术家谢其与策展人程小牧
Artist Xie Qi and curator Cheng Xiaomu
/ 开幕演出 Opening Performance /
音乐人宋雨喆 & 李铁桥
Musician Song Yuzhe & Li Tieqiao
音乐人宋雨喆
Musician Song Yuzhe
《猎人》
猎人的一只眼大，一只眼小
母熊的嗓门大，公熊的嗓门小
娃娃们像山间的野葱
头扎进泥里，藏着
妈妈是家门口弯着腰的树
下半身埋在土里，等着
The hunter has one small eye and one big eye
The brown bear has a loud voice, the black bear has a low voice
The children look like shallots on the mount inside
their heads covered in mud, hidden
The mother is like the bent tree at the home entrance
her lower body in the earth, and waiting
关于艺术家
About Artist
谢其，1974年生于重庆，现工作生活于北京。
谢其近年的绘画围绕着头像和半身像而展开，她将对象移离了日常情境，置于舞台化的光线里，导致笔下的的那些人物，看上去像是被孤独地留在了将要暗场的舞台上，他们脱离了一直在现实中扮演的某个角色，正在逐渐还原成一种赤裸的、个人化的存在。
她的近期个展包括“物累”（北京艺门画廊，香港，2016），“位移”（巴黎 Dawan艺术机构，2016）, 也参与群展“睡眠复仇，梦见生命”（激发研究所，北京，2018），“Extended Group show”（麦勒画廊， 瑞士卢塞恩，2017）， “一次别离”（杨画廊，北京，2017）， “门闩”（C龙口空间，北京，2017），“中国私语” （Kunst 美术馆，瑞士伯尔尼，2016），“歧感激流—通向语言的绘画” (今日美术馆，北京，2016) 。
她的作品被Uli Sigg 当代艺术收藏基金会、香港M+博物馆、DSL Collection 收藏基金会、保时捷(Porsche) 艺术收藏基金会、黄宇、谈勇等收藏。
Xie Qi (b. 1974, Chongqing) works and lives in Beijing. Xie Qi's recent series of oil paintings depicts the human figure, with a special focus on the areas below and above the clavicle. Her subjects are solitary forms illuminated by dramatic lighting, as if on a stage separated from their mundane identity as vessels for emotional expression.
Xie Qi's recent solo shows include The Unbearable Weight of Things (Pékin Fine Arts, Hong Kong, 2016), Displacement (Dawan Foundation, Paris, 2016). Notable group shows include Sleeping with a Vengeance, Dreaming of a Life (IFP, Beijing, 2018), Extended Ground (Lucerne Gallery, Switzerland, 2017), A Separation (Beijing Gallery Yang, 2017), the Latch: That Obscure Object of Portraits (C+ Space Local, Beijing, 2017), Chinese Whispers (Kunsthalle, Bern, Switzerland, 2016), Dissensus Agitation-Paintings leading to language (Today Art Museum, Beijing, 2016).
Her works are in the collection of The Uli Sigg Contemporary Art Collection Foundation, Hong Kong M + Museum, DSL Collection, Porsche Collection Foundation and in the private collections of Huang Yu, Tan Yong, and many others.
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